are interesting ("Thanks For The Birthday Card," "No Commitment"). Medal" - seems like an attempt to steal Norman Whitfield's thunder, but the sprawling tune
Unfortunately there are also some long slow numbers that miss the
The album features what may be Pedro Bell's last authentic artistic renderings, as well as P-Funk guitarist Eddie Hazel's last recordings before his death in 1992. But the folky numbers are dull, and this disc - recently reissued on a twofer CD with
The albums America Eats Its Young (1972) and Cosmic Slop (1973) featured only marginal input from Hazel. off on his instrumental "A Joyful Process." Fantasies," a scorching remake of "Red Hot Mama" - are amazing. (DBW), By Way Of The Drum (rec.
Worrell and Hazel are featured prominently ("Vampy Funky Bernie"); "Magnififunk" sets up a bossa nova backdrop for phenomenal Worrell soloing. Sax Machine (written by B Collins, M Parker, Trumpets And Violins, Violins (written by J Hendrix) 3:38, Telling Time (written by Nicky Skopelitis) 4:57, Jungle Free-Bass (written by B Laswell, B Collins) 5:38, Vocals: Garry Shider, Gary "Mudbone" Cooper, Material Strings Arranger & Conductor: Karl Berger, Vocals: George Clinton, Garry Shider, Gary "Mudbone" Cooper, Bootsy Collins, Vocals: Maceo Parker, Bobby Byrd, Bootsy Collins, Guitar: Blackbyrd McKnight, Nicky Skopelitis, Robert Musso, This page was last edited on 12 August 2020, at 16:17. departure from the psychedelic formula, it's out there, from the
awful. For additional information, see the Global Shipping Program, This amount includes applicable customs duties, taxes, brokerage and other fees. (DBW), Self Portrait (Ruth Copeland: 1971)
rumored to be a third LP that was never released), put out a 1976 record on RCA (Take Me To Baltimore) and
There's also a live version of "Cosmic Slop" which has great guitar
The weaker material includes "Wars Of Armageddon" - extended sound effects and weirdness, like a slightly
Though it's usually condemned by critics, there's a lot to like on
(spoken over a backwards tape of the B-side "Open Our Eyes"). with the albums. I've heard
The earliest existing full-length tape documenting a Parliafunkadelicment performance, and for that reason it's of clear
There is some solidly enjoyable funkadelia, though: "Suburban Family
The listing has … ("Freak Of The Week"), it just doesn't live up to the lofty
"Field Maneuvers" is a terrific guitar instrumental (music borrowed from Clinton's 60s-era "Can't Shake It Loose"). The Crunch w/ Tm Stevens Bernie Worrell Larry Mitchell Crystal Taliefero Jean-Paul Bourelly Tony "Thunder" Smith Sonny Sharrock and special guest star Eddie Hazel Live in New York December 1991
Watch out for this one: it's three of Parliament's original
2009)
Can't Play Rock?," and more goodies on the bonus EP, including a
rambling go way past the engaging stage. The best of the early Funkadelic records, funk and roll with great
(DBW), Music For Your Mother: The Westbound Years (recorded 1969-1976, released 1992)
suddenly acquired a tendency (mercifully short-lived) to moralize
pretty damn good anyway: the proto-heavy metal of "Super Stupid,"
hours. of inner-city family life on the title track. title if ever I've heard one. Generally it's drab, pointless electro-funk with lame catchphrases, from the opening "Nose Bleed" to the closing "Primal Instinct."
"Be My Beach," and a remake of an old single, "I Owe You Something
If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. tributes to old-time soul and Motown, including "Can't Stand The
Worrell adds interest and amusement value throughout, throwing in
[7], Free Your Mind... and Your Ass Will Follow, Live: Meadowbrook, Rochester, Michigan – 12th September 1971, The Mothership Connection – Live from Houston, Parliament-Funkadelic: One Nation Under a Groove, George Clinton: The Mothership Connection, Colonel Claypool's Bucket of Bernie Brains, https://en.wikipedia.org/w/index.php?title=Funkcronomicon&oldid=972540072, Short description is different from Wikidata, Album articles lacking alt text for covers, Creative Commons Attribution-ShareAlike License, Under The Influence (Jes Grew) (written by, Orbitron Attack (written by Grace Cook [a pseudonym for, Free-Bass (Godzillatron Cush) (written by B Laswell, B Collins, Dennis Weeden) 5:43, Hideous Mutant Freekz (written by G Clinton, B Collins, B Worrell, B Laswell) 7:25. I Am What I Am - is of interest mainly to early-period Funkadelic fans, who will get off on squalid, rough-hewn
"Miss Lucifer's Love" is a slow, nasty rocker; Bernie Worrell shows
simultaneous vocal lines, and an enjoyable take on "Maggotbrain"; Bernie
(DBW), Standing On The Verge Of Getting It On (1974)
live version of "Maggotbrain" with Kidd Funkadelic Mike Hampton
Got A Thing"), but much of it doesn't ("Pussy," far inferior to the
Enema Squad" to the twisted reggae of "Funkadelica."
Produced and compiled at Greenpoint Studio in the Greenpoint neighborhood of Brooklyn, New York,[10] Funkcronomicon contains songs that were recorded as early as Maceo Parker's For All the Kings Men (1989) period. Almost everything here was written by Eddie Hazel, so if you think
The title track continues George's one-of-a-kind commentary on the
excellent solo album, I'm at a loss to understand what went wrong
he doesn't quite have the chops to pull it off yet. Bootsy shows up for a James Brown-influenced horn-fest ("Philmore"). freakout on "Friday Night, August 14th" and "Eulogy and Light"
The only true finds are the
world's ills, over a freaky groove courtesy of Junie. Time left: d. h. m. s. day. hour.
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(DBW), Live - Meadowbrook, Rochester, Michigan, 12th
This amount is subject to change until you make payment. (DBW), Toys (rec. Lament" written by Copeland and Hazel; "Don't You Wish You Had (What You Had When You Had It)" - a classic Clinton
[1] The album title is a play on Necronomicon, a fictional book. (DBW), Connections & Disconnections (1981)
Funkadelic - Cosmic Slop 1973.
he's a genius you will probably love this album a lot more than I
there are a lot of good songs here. See the seller’s listing for full details and description of, George Clinton LP 33 RPM Speed Vinyl Records, George Clinton R&B & Soul LP Vinyl Records.
There are a number of
Copyright © 1995-2020 eBay Inc. All Rights Reserved. mark ("I'll Stay," "Sexy Ways," "Good Thoughts Bad Thoughts"). heavy breathing and Bernie at his least interesting. material here - a handful of B-sides - isn't very good ("A Whole Lot Of BS"). (I guess I'm behind
moved, not how far mainstream Funkadelic had moved.
dragged down by the endless (and pointless) title track, mostly
He's also
Funkadelic collaborated with British singer/songwriter Ruth Copeland, who also happened to be married to Motown producer
Your Dead Ass Home," "The Undisco Kidd"), although the record is
work, but you can hardly hear the vocals. The rest of
guitar-driven social commentary on "Funky Dollar Bill," pure
here. standards of its predecessor. View cart for details. Item Information. Its Young - Cosmic Slop - Standing On The Verge Of Getting It On - Let's Take It To The Stage - Tales Of Kidd Funkadelic - Music For Your Mother: The Westbound Years - Hardcore Jollies - One Nation Under A Groove - Uncle Jam Wants You - The Electric Spanking Of War Babies - Connections & Disconnections -
(Eddie wasnt on this one at all) He didnt do many of the leads though. (DBW), One Nation Under A Groove (1978)
(DBW), Maggotbrain (1971)
singers, without any help from the rest of the Funk Mob, and it's
the anthemic title track, the high-voltage "Who Says A Funk Band
Also contains
That this record became a hit shows how far the mainstream had
Funkadelic's alter ego, Parliament, was signed to Holland-Dozier-Holland's Invictus
doesn't measure up to the dramatic performance. commercial jingles and jazzy solos almost at random. Some of the jamming works ("I
label in the early 1970s, and in addition to backing the vocalists on one LP (Osmium)
Funkcronomicon features heavy participation from various members of Parliament-Funkadelic, to the degree that Funkcronomicon is widely considered to be a full-fledged P-Funk album.
fifteen-minute version of "All Your Goodies Are Gone" with several
hurts; there's also beautiful stream-of-silliness from Bootsy on
"No Compute." 2007)
Copeland's first solo disc is an outlandish mix of self-accompanied
Check out this live version of “Cosmic Slop.” Hampton’s scorcher is first—played on his Alembic—followed by a …
"(not just)
This attempted comeback was canned by the record company; only the title track (a painfully repetitive electronic percussion workout)
Okay, it's Hendrix-derived, but it's
(DBW), Cosmic Slop (1973)
guitars and spoken word on "Trash A-Go-Go" and the shaggy dog story
Harold Beane and drummer Tyrone Lampkin), and the disorganization and
1970-4, rel.
concept (and tagline) of Let's Take It To The Stage. Although a
Funkadelic - Free Your Mind And Your Ass Will Follow -
the extended, instrumental title track (still a concert staple) are the salient elements here. rereleased under the name Who's A Funkadelic?. show is brought to a premature close. ("If You Don't Like The Effects Don't Produce The Cause"), but
packaging (great liner notes) and completeness, but the new
1989, rel. interest... the band was breaking in two new members that evening (guitarist
scatological focus of the 11-minute "Promentalshitbackwashpsychosis
riffs and lyrics to match, including a moving tribute to Vietnam
vets ("March To The Witch's Castle") and a brutally honest portrait
but it's too repetitive for my taste. Mountain" to the frightening love song "Smokey" to the magical
By Way Of The Drum, Free Your Mind And Your Ass Will Follow (1970)
The greatest album cover in rock history; Clinton decided to
Cosmic Slop (1973) The best of the early Funkadelic records, funk and roll with great riffs and lyrics to match, including a moving tribute to Vietnam vets ("March To The Witch's Castle") and a brutally honest portrait of inner-city family life on the title track. Toys is a compilation consisting of unreleased music by the funk band Funkadelic.It was released by Westbound Records in 2008 and consists of previously unreleased sessions recorded during the band's tenure for Westbound. do. Reviewed on this page:
Copeland's second album is more of the same, but it's padded out with two lengthy Rolling Stones
“Garry grew up under Eddie,” Clinton adds. funkier "Revolution No. (DBW), Uncle Jam Wants You (1979)
(DBW), Hardcore Jollies (1976)
Motown-on-acid ("Hit It And Quit It") and the wild tenderness of
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