The legislation provided the museum with expropriation powers in order to acquire land for the museum. Although Gehry was born in Toronto, the redevelopment of the museum complex would be his first work in Canada. … Wood. Phone.
[43][44][45] The cost to build the David Milne Study Centre cost the museum approximately C$1 million.[46]. [13] The museum was expanded again in 1935 with the construction of two additional galleries. [12], In 1916, the museum drafted plans to construct a small portion of a new gallery building designed by Darling and Pearson in the Beaux-Arts style. The museum is located in the Grange Park neighbourhood of downtown Toronto, on Dundas Street West between McCaul and Beverley streets. [note 2], Anthony van Dyck, Daedalus and Icarus, c. 1620, Nicolas Poussin, Venus, Mother of Aeneas, presenting him with Arms forged by Vulcan, c. 1636–37, Carel Fabritius, Portrait of a Seated Woman with a Handkerchief, c. 1644, Gian Lorenzo Bernini, The Crucified Christ (Corpus), c. 1650, Rembrandt, Portrait of a Lady with a Lap Dog, c. 1665, Claude Lorrain, The Embarkation of Carlo and Ubaldo, 1667, Jean-Siméon Chardin, Jar of Apricots, 1758, Thomas Gainsborough, The Harvest Wagon, 1784–85, Pierre-Auguste Renoir, La Seine à Chatou, c. 1871, Paul Cézanne, Interior of a forest, c. 1885, Vincent van Gogh, A woman with a spade, seen from behind, c. 1885, Jean-Léon Gérôme, The Antique Pottery Painter: Sculpturæ vitam insufflat pictura, 1893, Paul Gauguin, Nave Nave Fenua from the Noa Noa Series, 1893–94, Camille Pissarro, Pont Boieldieu in Rouen, Rainy Weather, 1896, Claude Monet, Charing Cross Bridge, brouillard, 1902, Amedeo Modigliani, Portrait of Mrs. Hastings, 1915, John W. Waterhouse, I Am Half-Sick of Shadows, Said the Lady of Shalott, 1915, Arshile Gorky, They Will Take My Island, 1944, Henry Moore, Two Large Forms, 1969[note 3], Interior of the protruding staircase from the top, The South Gallery block built during 2004–2008 redevelopment of the museum.
Holdings encompass western art in all media from the medieval period to the 21st century; the art of Canada's indigenous peoples including Inuit art; and African and Oceanian art. [20], Under the direction of then-CEO Matthew Teitelbaum, the museum embarked on a C$254 million (later increased to C$276 million) redevelopment plan by architect Frank Gehry in 2004, called Transformation AGO. July. [84] The Montgomery Collection is the largest collection of its kind outside the Caribbean. [81] The sculpture was originally placed at the museum's northeast façade, near the intersection of Dundas and McCaul streets. AGO's permanent collection saw significant growth in the late-20th and early-21st century. The library's rare books collection includes art historical sourcebooks from the 17th century to the present; British Neoclassical folios of the 18th century; catalogues raisonnés; British and Canadian illustrated books and magazines; travel guides, particularly Baedekers, Murrays, and Blue Guides; French art sales catalogues from the late 18th century to the mid-20th century; and artists' books. If you have previously booked tickets online, you already have an account. Sign in with your AGO Membership or Annual Pass information.
The Grange manor was reopened to serve as the museum's building in 1913. [31] Further expansions to the east and the west of the building was completed in 1935. It appears to be a marvel powder. [15] As of March 2018, the AGO's permanent collection holds over 98,000 pieces, representing many artistic movements and eras of art history. [59] Approximately 40 per cent of works presented in the centre were created by Indigenous artists. The redeveloped building opened in November 2008, with the transformation increasing the museum's total floor area by 20 per cent for a total of 45,000 square metres (480,000 sq ft); as well as increasing the art viewing space by 47 per cent.
The museum's permanent collection grew from 3,400 works in 1960, to 10,700 in 1985. [72][73] Other works featured in the Thomoson Collection for European Art includes Massacre of the Innocents by Peter Paul Rubens. [12] Shortly afterwards, the museum signed an agreement with the municipal government of Toronto to maintain the grounds south of The Grange as a municipal park. [74], In 2019, the museum acquired the painting Iris Bleus, Jardin du Petit Gennevilliers by Gustave Caillebotte for more than C$1 million. The museum's modern collection also includes works by Pierre Bonnard, Constantin Brâncuși, Marc Chagall, Otto Dix, Jean Dubuffet, Jacob Epstein, Helen Frankenthaler, Alberto Giacometti, Natalia Goncharova, Arshile Gorky, Barbara Hepworth, Hans Hofmann, Franz Kline, Henri Matisse, Fernand Léger, Joan Miró, Amedeo Modigliani, Claude Monet, Ben Nicholson, Pablo Picasso, Gino Severini, and Yves Tanguy.[77]. [75][note 1] Thompson intended for the work to serve as the centrepiece for the collections he donated to the museum in 2004. The project initially drew some criticism. That's not sexy, like titanium curves, but it's essential to the project. (Other locations also available) AGO. The museum's contemporary collection includes a number of works by Canadian artists, General Idea, Brian Jungen, Liz Magor, Michael Snow, and Jeff Wall.
In 2002, the museum was bequeathed 1,000 works by Aboriginal Australian and Torres Strait Islanders artists. [4] The museum collection includes a number works from Canadian, First Nations, Inuit, African, European, and Oceanic artists. [84] Other photographers whose works are featured in the collection include Edward Burtynsky, Alfred Eisenstaedt, Robert J. Flaherty, Suzy Lake, Arnold Newman, Henryk Ross, Josef Sudek, Linnaeus Tripe, and Garry Winogrand. [67], Conversely, the museum did not acquire its first First Nations artwork until 1979, acquiring a piece by Norval Morrisseau for its contemporary collection. [88] However, access to the museum's archives, and its special collections requires a scheduled appointment. It was renamed to the Art Gallery of Toronto in 1919, before it adopted its present name, the Art Gallery of Ontario, in 1966. [37] The mullion grid itself is attached to sliding bearings, that allows its curtain wall to adjust to changes in temperature, without compromising the integrity of the wood.
[36] Each piece of timber is unique, given that the galleria's design featured slants that increased in width incrementally, and whose curvatures were changing throughout its length. [80] In addition to the works donated by Moore, the museum also purchased another piece, Two Large Forms, from the sculptor in 1973. "[39] The Toronto Star called it "the easiest, most effortless and relaxed architectural masterpiece this city has seen",[40] with The Washington Post commenting: "Gehry's real accomplishment in Toronto is the reprogramming of a complicated amalgam of old spaces.
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