The most insightful comments on all subjects will be published daily in dedicated articles. This conditioning makes it difficult to have honest discussions about issues results in continued debates, such as those over the Confederate flag and the existence of statues honoring Confederate war heroes on college campuses. The man was on a roll that year, having been painted Egyptian in order to play Ramesses II for Cecil B. DeMille’s biblical blockbuster The Ten Commandments. No, it seems. A “D” grading equates to an overall numerical score of two to three. Was there ever a better buckler of swashes than Douglas Fairbanks? Take for instance the GCSE thematic study titled “Britain: Migration, empires and the people”. Die. With attempts from national organizations like Teaching Tolerance to combat the Eurocentricity of U.S. history textbooks, th issue of whitewashing the past lends itself to the old saying, “Those who forget the past are doomed to repeat it.” Bell said the continued battle for voting rights, the lack of safety felt by people of color and the continued ignorance toward minority cultures further exemplifies the wrong in attempting to airbrush a version of U.S. history that does not tell the entire story. – Venice 2018 Review. Want an ad-free experience?Subscribe to Independent Premium. The same can be said of the 2008 adaptation of Speed Racer, the confusingly-titled Edge of Tomorrow/Live. Are you sure you want to mark this comment as inappropriate? The New Wave instilled an injection of liberal-mindedness in American cinema which coincided with the rise of Blaxploitation, a problematic but important genre that paved the way for wider representation in the following decades. Fisher Stevens in Short Circuit (1986/8). Without intending to be inflammatory, Jesus Christ was not a white guy. Bell said another issue facing students is how whitewashed versions of U.S. history leave out the voices of marginalized groups, such as Native Americans. Simply, our students are denied the opportunity of chronicling the precise evils of British imperialism due to a disproportionate focus on the distinctive features imparted by the empire. In fact, Disney placed white actors in pretty much every major role for their forgettable adaptation of Ubisoft’s popular game franchise Prince of Persia, including Jake Gyllenhaal and Gemma Arterton in the leads. Due to the sheer scale of this comment community, we are not able to give each post the same level of attention, but we have preserved this area in the interests of open debate. Are you sure you want to delete this comment? Trust me, I get satire, but we don’t live in a post-racial utopia and for as long as non-white actors continue to be denied work, we have no right to laugh at this. In November, conservative members of the TSBOE rejected a proposal that would allow state university professors to fact-check student textbooks. Perhaps not. Similar examples include Jim Caviezel’s portrayal in Mel Gibson’s The Passion of the Christ (2004), Russell Crowe’s casting as Noah in Darren Aronofsky’s 2014 biblical epic, and pretty much all casting decisions made for Ridley Scott’s Exodus: Gods and Kings. One of the most famous cases of Hollywood whitewashing involves Mickey Rooney portraying an Asian character in 1961’s Breakfast at Tiffany’s.
Douglas Fairbanks in The Thief of Bagdad (1924).
Anna and the King of Siam/The King and I (1946/1956). As a result of this criticism, the College Board released a new, revised set of U.S. history standards on July 30. Courtesy of: Eureka. Well, at least, blackface would soon be a thing of the past. Because blackface isn’t a fucking joke. Of course it isn’t. ScarJo’s performance as Major Motoko Kusanagi is, by all accounts, fine – even if the film is about as soulful as an empty stapler – but that doesn’t change the fact that that role should never have been hers to begin with. (adsbygoogle = window.adsbygoogle || []).push({}); The Personal History of David Copperfield - Review, Goodfellas, 30 Years On: You Always Want to be a Gangster. End of. While Martin Scorsese’s adaptation of Nikos Kazantzakis’ controversial novel remains a thoughtful commentary on the complex nature of suffering and sacrifice, it doesn’t change the fact that the casting of Willem Defoe in the title role is evidence of an American attempt to whitewash not just film, but Christianity itself. The statement also said all the statements in the 2015 edition have been carefully examined based on historical records and the feedback received. Both characters, incidentally, were played at one time by Warner Oland, a Swedish-American actor. Discussing the matter of whiteness, Richard Dyer writes that “other people are raced, [white people] are just people.” His criticism seeks to address whiteness’ cultural ubiquity and invisibility; whiteness, according to Dyer, does not draw attention to itself as it is the standard against which other ethnicities are measured and represented. The CNM’s whitewashing reflected a White supremacist history and monochromatic point of view that would dominate Hollywood, music, and classrooms for the rest of the century. But the question remains that if non-white actors are not being offered non-white roles then when can they ever hope for a post-racial industry in which roles are not white-by-default unless otherwise stated? Should ScarJo be blamed for her casting in Ghost in the Shell? Whitewashing in Hollywood is the well-documented practice of movie executives and other decision makers to choose white actors to portray people of color on film.
D.W. Griffith’s technical masterpiece is simultaneously an ideological shit-sandwich. In one excerpt of Lies My Teacher Told Me, Loewen points out the disparity between the amount of time devoted to discussing Christopher Columbus in comparison to talking about Native Americans in the 2005 edition of the textbook, A History of the United States — two thousand words compared to five.
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Zeehandelaar said another issue with the state standards is the lack of information provided in how the subject should be taught, leading to a gap between the curriculum and how teachers talk about it in the classroom. His makeup included buck teeth, slanted eyes and other over-the-top offensive features. Create a commenting name to join the debate, There are no Independent Premium comments yet - be the first to add your thoughts, There are no comments yet - be the first to add your thoughts. According to the guidelines, students are to learn that the Civil War was caused by “sectionalism, states’ rights and slavery.” The goal of this standard is to teach students that slavery was not the main cause of the war, but only a secondary issue at hand. Please continue to respect all commenters and create constructive debates. Quinn said. The existing Open Comments threads will continue to exist for those who do not subscribe to Independent Premium.
He said conservative politicians on the TSBOE are well aware of the influence Texas holds over what students learn on a national scale, and use this knowledge to further their political agenda. “It’s as if they’re extinct and their voices and their experiences aren’t important enough to add to the story.”. Loewen also echoed similar sentiments, but said the Republican push to whitewash and sanitize U.S. history displays a sense of nationalism in that it remains uncritical and turns a blind eye to mistakes made in the country’s past. Step up, Short Circuit. It allows our most engaged readers to debate the big issues, share their own experiences, discuss real-world solutions, and more. (That said, one recent article has eloquently expressed that this is perhaps a more complex issue than a mere matter of white/non-white casting). All Rights Reserved. Find your bookmarks in your Independent Premium section, under my profile.
Boris Johnson 'recited colonial poem in Burma's most sacred Buddhist temple', Victoria and Abdul accused of whitewashing colonial history, Rewriting history: Michael Gove brought in requirements for British history to form a minimum of 40 per cent of assessed content in GCSEs, As a history teacher, I'm horrified by the new curriculum, “Britain: Migration, empires and the people”, “start teaching unromanticised colonial history in British schools”, You may not agree with our views, or other users’, but please respond to them respectfully, Swearing, personal abuse, racism, sexism, homophobia and other discriminatory or inciteful language is not acceptable, Do not impersonate other users or reveal private information about third parties, We reserve the right to delete inappropriate posts and ban offending users without notification. Should it stand trial for privileging white stories and white stars? This telling of only one side of the story, Bell said, perpetuates the lie that Native Americans only lived in the past. “But it’s certainly not surprising, politicians on the state board don’t want experts weighing in to say what is factually accurate, because politicians on the state board want the ability to force their personal opinions into the textbooks, whether they’re factually accurate or not.”. A Denver tan was deemed more than enough to make Fairbanks passably Arabian. On the other hand, there was detective Charlie Chan, a benevolent, quick-witted hero of a franchise of films. In 2010, conservative Republicans on the Texas State Board of Education (TSBOE), a 15-member body made up of seven conservatives, called for a revision of the state’s social studies standards to provide balance to a subject that they perceived as having a liberal bias. Courtesy of: UIP. Much like the “red peril” that followed, “yellow peril” fashioned a discursive fear of the East that emerged in the late 19th century; while Charlie Chan was no doubt a revisionist portrayal of Chineseness, he nevertheless remained an occidental creation (over to you, Edward Said). Yul Brynner as the King of Siam in The King and I. Texas state standards, however, do not mention anything about these early attempts to abolish slavery. It’s worth noting that last year Nate Taylor and co. unsuccessfully attempted to chip away at the imposing legacy of Griffith’s film by reclaiming the title in order to tell a story of emancipation rather than oppression. True as that may be, such is the case for the fact that white actors were, and continue to be, afforded opportunities denied to everyone else.
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